Current Exhibition
Fukuda Heihachirō × The Rimpa School
29 September (Sun.) – 8 December (Sun.) 2024
(Closed on 10/15, 11/5 and Mondays, except for 10/14, 11/4)
Hours: 10 am - 5 pm (Last admission at 4:30 pm)
Admission Fees: Adults: 1,400 yen; University and high school students: 1,100 yen; middle school and younger children: free of charge; Disability ID holders and one accompanying person: 1,200 yen each
*Discount for those who are wearing kimono: Discount of 200 yen for adults
【Exhibition Timed-Entry Reservation】※9/20, 12:00 on sale
Organized by: Yamatane Museum of Art and the Asahi Shimbun. Japan Arts Council and Agency for Cultural Affairs, Government of Japan
Approximately 50 works in total are to be displayed.
Exhibition Overview
Fukuda Heihachirō (1892-1974) was a nihonga artist who sought fresh colors and forms. To commemorate the fiftieth anniversary of his death, the Yamatane Museum of Art is delighted to hold, for the first time in twelve years, a special exhibition examining Heihachirō’s oeuvre.
Born in Oita, Heihachirō moved to Kyoto to study at the Kyoto City School of Arts and Crafts and the Kyoto City College of Painting. In 1919, his work was accepted for the first time at the Teiten (Imperial Art Exhibition). During the Taisho period (1912-26), he examined motifs with care and created realistic works. In the Showa period (1926-89), he established his own distinctive art through simplified color planes and bold compositions.
This exhibition examines his career, from works dating from before his early masterpiece, Peonies, from the Taisho period, the pinnacle of realism, created with thorough, detailed portrayal. It continues with his Bamboo Shoots, with the formative characteristics of the bamboo shoots meticulously captured and combined with the stylized bamboo leaves. In Red and White Mochi and Three Cranes (private collection), the rounded pieces of mochi confectionary contrast brilliantly with the folded paper cranes’ linear forms. The many superb works on display together, spanning his entire career, include his Autumn Colors, Playful Finches (private collection), thought to be his last work.
The exhibition also addresses Rimpa works, classics that influenced Heihachirō. Attributed to Tawaraya Sōtatsu, Chinese Black Pines and Maple Trees, with its brilliant design sense, andSakai Hōitsu, Autumn Plants and Quails [Important Art Object], with its decorative composition and precise depiction, are among the works displaying the diverse fascination of the Rimpa style, which Heihachirō, admired, for your appreciation.
Fukuda Heihachirō, a modern nihonga artist who described his own style as “Realism-based decorative paintings,” meets Edo-period Rimpa, so rich in both design and decorative qualities. We hope you will enjoy this unusual opportunity for those two art spheres to intersect across time and space.
*All works are from the Yamatane Museum of Art collection unless otherwise noted.
Fukuda Heihachirō, Peonies; Yamatane Museum of Art
Fukuda Heihachirō, Sweetfish; Yamatane Museum of Art
Fukuda Heihachirō, Irises; Yamatane Museum of Art
Fukuda Heihachirō, Bamboo Shoots; Yamatane Museum of Art
Attributed to Tawaraya Sōtatsu, Chinese Black Pines and Maple Trees; Yamatane Museum of Art
Sakai Hōitsu, Autumn Plants and Quails [Important Art Object]